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NIX + GERBER

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Screen Shot 2016-01-17 at 2.30.55 PM copy.jpg
Sketches of the S.S. Bean

Sketches of the S.S. Bean

Building the boat.

Building the boat.

The boat is sculpted out of foam, epoxy resin and wood. If you look close enough, you can see a miniature version of the boat resting on the prow.

Checking scales.

Checking scales.

We are constantly checking the scale of the boat and props against the scale of the puppet figures. The puppet figures haven't arrived yet, so a print stands in for the characters.

Boat details.

Boat details.

Kathleen is adding details to the boat, such as rivets and the prow. 

Rigidity

Rigidity

A coat of epoxy resin is applied to the interior and exterior of the S. S. Bean. 

Wheelhouse

Wheelhouse

We never know how much of the prop will be seen in the video, so we always make more than necessary.

Scale

Scale

This gives a good idea of scale.

 

Bait bucket.

Bait bucket.

Kathleen titled the bait bucket after Lori's father, Bob. She is especially happy with the galvanized finish she created. 

 

Bucket and cup in action.

Bucket and cup in action.

Angler fish skeleton.

Angler fish skeleton.

The angler fish starts out as a wire framework. 

Strengthening

Strengthening

A mix of wire and epoxy helps strengthen the model as it will be manipulated a lot during filming. 

Foam body

Foam body

The wire and epoxy skeleton is filled out with foam and latex rubber.

 

Filling out the body.

Filling out the body.

Additional support.

Additional support.

Foam and thread is added to the body for more support.

Gnarly Teeth

Gnarly Teeth

Fresh corn is in season.

Fresh corn is in season.

Finishing touches

Finishing touches

Body color and eyeballs are the last to be applied to the angler fish.

 

Sketches for Guppy.

Sketches for Guppy.

Before sculpting the main character and additional school of fish, Guppy begins as a series of sketches.

Clay model

Clay model

Model for the school of fish characters.

Model for the school of fish characters.

Fitting fins and eyes before casting.

Fitting fins and eyes before casting.

First casting.

First casting.

A plaster mold is made from the clay fish. Silicone is cast over a wire armature. 

Mold bits and pieces.

Mold bits and pieces.

Body, fins and mouths are ready to cast.

 

Finished puppet.

Finished puppet.

Lobster character in progress.

Lobster character in progress.

Final lobster puppet.

Final lobster puppet.

Rock fish.

Rock fish.

This little guy is camouflaged amongst the rocks of the trench walls. 

Toothy fish.

Toothy fish.

Kathleen makes sure the teeth fit properly with the bottom jaw.

 

Final colors.

Final colors.

Seagull.

Seagull.

The seagull begins as a combination of wire, thread and epoxy.

Wingspan

Wingspan

Sculpting the head.

Sculpting the head.

Sculpting the head.

Sculpting the head.

Folded wings.

Folded wings.

The wings need to be able to stretch out and fold under.

Cloth

Cloth

Cotton is applied to the wings.

Feathers

Feathers

Individual feathers are glued in place. 

Ready for flight.

Ready for flight.

Trench walls begin.

Trench walls begin.

Rocks

Rocks

The trench wall is created out of individually sculpted rocks and glued to a supporting board. 

Initial color is laid down.

Initial color is laid down.

Adding textural details and color.

Adding textural details and color.

Checking scale.

Checking scale.

Anemone and coral.

Anemone and coral.

Coral puppet.

Coral puppet.

Constructed from wire, thread, foam and latex.

Pink is the color.

Pink is the color.

Ocean

Ocean

The ocean needs to be transparent, yet viable for several months of shooting. Fifteen pounds of goo and clear vinyl fit the bill. 

Tweaking the ocean.

Tweaking the ocean.

Mike Healey helps seal the ocean in place. 

Viper fish.

Viper fish.

The viper fish begins as a clay character, ready for a plaster mold. 

Head hardware.

Head hardware.

After the main body is cast in silicone, an armature is created for the head. 

Close up of the viper head.

Close up of the viper head.

Making sure the mouth has plenty of movement.

Making sure the mouth has plenty of movement.

He's nicer than he looks.

He's nicer than he looks.

Starfish.

Starfish.

Wire armature inside starfish mold. 

Starfish.

Starfish.

Starfish is ready to de-mold.

Starfish is ready to de-mold.

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Screen Shot 2016-01-17 at 2.30.55 PM copy.jpg
Sketches of the S.S. Bean
Building the boat.
Checking scales.
Boat details.
Rigidity
Wheelhouse
Scale
Bait bucket.
Bucket and cup in action.
Angler fish skeleton.
Strengthening
Foam body
Filling out the body.
Additional support.
Gnarly Teeth
Fresh corn is in season.
Finishing touches
Sketches for Guppy.
Clay model
Model for the school of fish characters.
Fitting fins and eyes before casting.
First casting.
Mold bits and pieces.
Finished puppet.
Lobster character in progress.
Final lobster puppet.
Rock fish.
Toothy fish.
Final colors.
Seagull.
Wingspan
Sculpting the head.
Sculpting the head.
Folded wings.
Cloth
Feathers
Ready for flight.
Trench walls begin.
Rocks
Initial color is laid down.
Adding textural details and color.
Checking scale.
Anemone and coral.
Coral puppet.
Pink is the color.
Ocean
Tweaking the ocean.
Viper fish.
Head hardware.
Close up of the viper head.
Making sure the mouth has plenty of movement.
He's nicer than he looks.
Starfish.
Starfish.
Starfish is ready to de-mold.
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